He told me they do, but that it's hard to parse what's genuine because some players allow themselves to be killed by one orc 100s of times to level it up, and then painstakingly use the 'shame' mechanic to reduce that orc back to a gibbering level 1 dolt. In a Q&A session after the talk I asked Hoge if Monolith keeps data on the most amount of times a player has been killed by the same orc. His "the Blight" title meant he'd been transformed by poison, which in a delicious piece of irony also proved his eventual undoing. Unsurprisingly, Mozû was one of these orcs. Maybe I could have worked it out with Mozû somehow? An orc with "the Claw" title will be one whose arm you hacked off and has come back with a metal replacement, while "the Uncatchable" is an Orc that escaped your blade three times. There are also a handful of unique orc archetypes, each of which can appear just once per playthrough. When it first happens you're both amazed and immediately enraged. Only around 6% of orcs will get the 'Humiliator' perk, which they use to shame Talion after each victory. For example, it might say: "You ran away last time, manthing!" Again, having certain rare traits helps to make individual orcs stick in the memory. Orcs are also taught to remember their individual history, even if the player doesn't. Players wouldn't even notice sweet design lower down, like jars of eyeballs hanging from a belt.
Hoge noted that what really mattered was how the orc looked from the head and shoulders up. So for instance if an orc gets given the name Blarg Fireguzzler, there's a good chance he'll get a flaming sword, or wear a burning brazier for a helmet. Appearance is key, and though the orcs are generated procedurally, those systems are designed to ensure they have the most chance to grab the player's attention. There's more to making a memorable nemesis than a PIS score though.
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For the player, the fun part comes from working out how to break the loop, which usually means by taking advantage of one of the orc's weaknesses-whether that be to stealth, beasts, or in Mozû's case the poison that had left him looking like a two-week old pizza left in the Kalahari sun. This is the process whereby you keep struggling and failing to kill an orc, during which time its abilities improve and your unhealthy codependency deepens. The key to a good nemesis, as I know only too well, is therefore finding yourself caught in something Hoge calls the "Revenge Loop". From it's work on the first game, the Monolith team discovered that the more stress and frustration an orc induced, the more satisfaction and jubilation resulted when the player finally got the upper hand. "We want the ride to be really long, because it gets better," says Hoge. He explained that the best player relationships with orcs are like rollercoasters with lots of ups and downs.
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Hoge, who previously worked on the software for F-16 fighter planes, is now lead systems designer at Monolith Productions, and therefore supremely placed to explain what's going on under the hoods of Shadow of War's green-skinned antagonists.
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